Newly Discovered Qumran Holding: World Museum Liverpool

The network team are delighted to report that following on from enquiries made by  Joan Taylor, of the Museums of Liverpool, the curator Ashley Cooke found in their collections a Dead Sea Scroll jar and lid, and also linen. These had been purchased on 8 May, 1951 by the Liverpool Public Museums from the Palestine Archaeological Museum (represented by Gerald Lankaster Harding) for the sum of £50.00. At that time the curator in Liverpool was British archaeologist, John Henry ‘Harry’ Iliffe (1903-1960), whose museum career included posts as head of Classical collections at the Royal Ontario Museum of Archaeology, Toronto (1927-1931); the first keeper of the Palestine Archaeological Museum, now the Rockefeller Museum, in Jerusalem (1931-1948); and Director of Museums in Liverpool (1948-1959).

Kindly note that the above preliminary images, taken by Sandra Jacobs, include the  exterior profile of the jar, and are copyrighted by the Network for the Study of Dispersed Qumran Cave Artefacts and Archives. These photographs may not be used by others for publication purposes. We are currently trying to identify the precise textile, but clearly it is from Qumran Cave 1Q:

textiles_twoWe extremely grateful to Dr Ashley Cooke (featured in the main post photograph) for making the archival correspondence available to the network team to verify the authenticity of this acquisition, as well as his hospitality at the Museum’s off-site warehouse when Isabella Bossolino and Sandra Jacobs arrived from London to photograph and draw the jar and lid.

Joan Taylor, ‘Finding Qumran Cave 1Q Artefacts’: Palestine Exploration Fund and Anglo-Israel Archaeological Society joint lecture, at the British Museum, 8 March 2018

wp_PEF March 8th 2018

On 8 March, 2018, Joan Taylor gave a lecture in London on the quest to find Qumran Cave 1Q artefacts that have been dispersed around the world, and also considered some of the mysterious unprovenanced jars in various collections. Held in the Clore Education Centre of the British Museum, the lecture attracted over 200 people and led to some interesting discussions afterwards. The Network thanks the Palestine Exploration Fund and the Anglo-Israel Archaeological Society for their interest in our work, now published in the Palestine Exploration Quarterly.

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Replica Jars at the Australian Institute of Archaeology

On February 20th, 2017, Christopher Davey, of the Australian Institute of Archaeology, Melbourne, hosted a visit from Joan Taylor, to review materials in the archive of G. R. H. (Mick) Wright. While the Wright archive did not provide materials on the caves, Dr Davey has very generously supplied his collection of photographs taken in 1974, and they can be accessed in our photographic database here in low-resolution. To obtain high quality images, please be in touch with him at director@aiarch.org.au.

While at the institute, the opportunity was taken to undertake some experimental archaeology, using the replica 1Q scroll jars and lids there. These replica jars are found in a variety of places, and their production could be an essay in itself, but thus far we have encountered them in Manchester Museum and in private collections. If anyone has further details about them do get in touch with us.

The interest with the replica jars is that they provided a chance for experimenting on how the lids might have been tied on (IF they were tied at all), when most of the jars had no handles. The knob on top of the lids provides an easy means of looping string around it, but where else did such string go? We tried tying the string around the knob and on to the neck, though the replica jars do not have the high neck of the actual 1Q jars and thus the string tended to be unstable. This form of tying still resulted in the lid being able to be lifted a little. We also determined that a tight fit of lid to jar was necessary, which would only be facilitated by having cloth tied to the neck (jar covers), to create a snug casing. A tightly bound jar cover could possibly also then have been used to bind on the lid, with its edges pulled up towards the knob. Textiles could also be used to completely cover the lid, bound on to the neck. It was determined that it would be hard to create a very tight binding of string alone unless it went around the base of the jar, and even this would not be as secure as a fit using cloth laid over the mouth of the jar and tied on to the neck prior to the lid being fitted. Jar covers are therefore an essential part of securing the lid snugly.

String of various kinds has been found in association with the jars in scroll caves, and further examination of this string may enable us to determine whether it might have been used for tying on scroll wrappers, jar covers or the exterior of jars.

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experiments with string: image copyright Joan Taylor

 

Just Published by Marcello Fidanzio: The Caves of Qumran

 

The Caves of Qumran

Edited by Marcello Fidanzio, Facoltà di Teologia di Lugano

Continue reading “Just Published by Marcello Fidanzio: The Caves of Qumran”

Manchester Reconnaissance Trip

Initial exploration of the following collections:

The Ronald Reed Archive at the John Rylands Museum, Manchester 11 August 2016, with Elizabeth Gow (Manuscript Curator and Archivist).Visit John Rylands Library Site

Allegro archive in the Manchester University Museum with Collections Access Officer Jamilla Hawa, together with Deputy Head of Collections and Curator of Archaeology Bryan Sitch. These included four boxes of Allegro photographs, largely composed of laminated black and white prints that have previously been made into microfiche images and annotated in the publication by George Brooke and Helen Bond.The Allegro Qumran Photograph Collection: Supplement to the Dead Sea Scrolls on Microfiche (ed. G. Brooke with H.K. Bond; Leiden, New York & Köln, E.J. Brill and IDC, 1996).

Visit Manchester University Museum Main Site